Nights at the jungles are filled with sounds, songs and laughs from the aluxes, some creatures that escaped from heaven. They can't be exposed at light, so as soon as the sun hides, they insist on building pyramids trying to get closer to where they came from.

The breeze we feel everywhere is an ancient drunk man destroying everything as he goes by, until he was turned into the wind.

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.

In a time when poor mexicans, contemptuously called indians, were treated as slaves by the rich. Things were unfair, unbalanced. Django, a mexican indian, runs for his life trying to escape his abusive patrón... but he fails. After a beating that renders him unconscious, he awakens to meet Dr. Shultz, a bounty hunter that likes to keep thing in balance. Dr. Shultz has a lot to teach Django, about bounty hunters and the way of the gun, so Django can live.

When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.

"Zapatista" is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.

Salvia Divinorum is an often misunderstood and powerful psychedelic plant used by the Mazatec shamans in southern Mexico for centuries. This entheogen's mysteries are thoroughly explored, by Director Erin Wyche, from an American view point.

In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. His absence transforms the lives of those who were so deeply connected to him. Tere, now in charge of the family, must make money by selling crafts. Jorge is about to finish school and will soon have to choose his own path. Chayo, 16, must make an important decision. A year has passed, and the members of the family have been able to redefine themselves, finding their own destiny while always venerating their father’s memory.

Alberta, Julia, and Catalina are three Chatino migrant women who have had to leave their communities to work on the Oaxacan coast. Catalina sells food, while Alberta and Julia work in lime and papaya orchards. The three women endure discrimination and the challenges of survival in an unknown place—all in order to improve their families’ quality of life.

Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.

A story about the environmental conflict between GM soy growers and Maya Beekeepers in the Yucatán Peninsula of Mexico. It reflects on what the environment and economy could look like if bee health was considered as a criterion of sustainable development. The film explores the pre-colonial and ongoing relationship between Maya people and their environment, in particular the milpa agricultural system (and its main crop, maize), sacred sinkholes (called cenotes), and sacred stingless bees, the Melipona.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded