Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.

“This film was made for an event that included an exhibition of artwork by Eishi Yamatomo. Yamatomo’s metal sculpture is often finished with a chromium plating, which reflects its surroundings. For this project, I tried to obtain the image of a metal sculpture as an existing entity and its reflection as an illusion on a film medium, which can hold an image as an object. It was originally shot on 8mm film, hand-processed, edited, then re-photographed on 16mm film.” - Yo Ota

A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.

Digital Smoke is an experimental meditation on light, memory, and distortion. Shot at twilight in Minneapolis’s Loring Park, the film captures the moment just after sunset, when street lamps flicker on and reflect across the lake. As Devereaux moves the camera backward and forward, fading light introduces digital noise. Rather than correct it, he amplifies the imperfection, layering light trails until the noise becomes ethereal white clouds—“digital smoke”—that dissolve the boundary between image and abstraction. Frames evoke the hazy textures of J.M.W. Turner and the pixelated aesthetic of early video games, blending painterly romanticism with digital fragmentation.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Pussy Trash is an ex dancer now invalid that lives with "Grandpa" in their poor home. After finding a video of his youth he will try to find a way to dance again despite his limitations.

Three adrift artists wander around a college campus and its local sites as they struggle to engage with art and its creation.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

When churlish mobster Albert Spica acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina, is especially disgusted by him, and soon begins an affair with regular guest Michael. Despite their best efforts to keep it secret, Spica learns about their trysts, and he plots a terrible revenge.

The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.