Exclusively created with period engravings, this animated feature explores the Franco-Prussian War of 1870 and the ensuing Paris Commune revolution in 1871.

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One hundred years ago, Dadaism challenged ideological, aesthetic and political conventions. Like David Bowie or Terry Gilliam, many artists have been influenced or fascinated by this anti-conformist movement.

Documentary on industrial lubrification.

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

A short documentary about the life of director and artist René Laloux, featuring an interview with Laloux from 2001.

Seeing the Great War, no longer content with simply recounting it, but showing it and embodying it: this is what comics offer today. By questioning archives and history, the comic book authors featured in this film engage in a dialogue with the depths of time. They bring the First World War back to life in our imagination: their drawings are more than just lines.

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"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.