"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

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Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

An intimate portrait of Salt Lake City and its surroundings. Shot on 16mm film.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.