Amid the hysteria of World War II, a Chinese-American private investigator meets with a Japanese-American client and must choose between his desire to help those in need and his angry and bitter community.

The true story of photographer Elizabeth "Lee" Miller, a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II.

The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.

France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury, and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting up with a young lover.

An old leper who owned a remote sorghum winery dies. Jiu'er, the wife bought by the leper, and her lover, identified only as "my Grandpa" by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu'er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew.

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

Dover made over: this quirky and pointed public information film reveals how the heavily-bombed and shelled Kent town was being replanned after the war. The filmmakers cleverly and entertainintly capture our attention by opening on travelogue cliches that they quickly undercut. It's not white cliffs and rolling hills they want to tell us about. It's present-day Dover - remaking itself in the crisp freshness of a postwar spring.

In this drama from director Alan Parker, on-the-lam Jack McGurn flees to Los Angeles and takes a job as a projectionist at a movie theater owned by a Japanese-American man. Jack falls for the owner's daughter, Lily, but they are forced to elope to Seattle when her father forbids the relationship. The couple marry and have a daughter, but when World War II breaks out, Jack is powerless to stop his new family's forced internment.

On the brink of the Second World War, a young Norwegian man's drive to resist the Nazis sets a new course for his future – and the future of his country.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.

On the 8th September 1943, thousands of allied prisoners of war escaped into the Italian countryside following the country's surrender. The occupying Germans hunted these escapers who were helped and sheltered by the brave and kind Italian Contadini, farmers who put their families and homes at great risk by doing so. Made by a crew of students in Leeds, England with very limited resources and funds, it is based on the director's great-grandfather and his experiences as an escaped British POW in Italy during WWII.