In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.

Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)

After buying a car, Richard Burton finds that his wife and daughter have become unreasonably extravagant, and is surrounded by sponging friends.

Male and female sales agents, Phil and Ruth, for rival hosiery concerns try to land an order. For a while Phil succeeds and puts on an exhibition but Ruby makes the mannequins use her own brand of hose, flirts with the buyer and wins order away from her rival.

After surviving a deadly card game standoff, a saloon owner tracks down the gambler who cheated him and stranded a woman in the wilderness, only to discover the woman has died and left behind twins that he adopts and raises.

Andy Lanning, a peace-loving blacksmith, rescues Ann, the fiancée of Charles Merchant, from a runaway team. When the town bully picks a fight with Andy, he knocks him unconscious, and (thinking he has killed him) Andy rides into the hills. Merchant, jealous of Ann's admiration for Andy, bribes the sheriff to kill Andy, who has joined a band of outlaws in the wastelands. Forced to defend himself, Andy kills the sheriff, but later he saves the new sheriff's life and forces him to hear his story when he is placed in jeopardy by the outlaw band. Meanwhile, Ann, who has broken her engagement to Merchant, engages a lawyer to clear Andy, and he returns to find her awaiting him.

In his last film, silent star William Russell plays the motorcycle policeman father of one of the restless and reckless new generation of late 1920s youth. The film was controversial as an early example of the rising tide of violence and disrespect for the law that would become key themes in the 1930s.

Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.

Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.

Beverly Arnold is a secretary in the law firm of John Cumberland and Stephen Gray. Both men court her, but Beverly succumbs to the charms of Gray. With her help, he writes a bestselling novel which leads him to give up his law career. After their marriage, Beverly continues to aid Gray with his writing, bringing a touch to his work that makes him famous. Gray, however, in his conceit, becomes bored with his wife and divorces her for Hedda Kossiter, a vampirish artist. Beverly, freed from Gray, becomes a literary success in her own right. Gray, anxious to win her back, is dismayed to discover that her heart has turned to his former partner, John Cumberland.