Beverly Arnold is a secretary in the law firm of John Cumberland and Stephen Gray. Both men court her, but Beverly succumbs to the charms of Gray. With her help, he writes a bestselling novel which leads him to give up his law career. After their marriage, Beverly continues to aid Gray with his writing, bringing a touch to his work that makes him famous. Gray, however, in his conceit, becomes bored with his wife and divorces her for Hedda Kossiter, a vampirish artist. Beverly, freed from Gray, becomes a literary success in her own right. Gray, anxious to win her back, is dismayed to discover that her heart has turned to his former partner, John Cumberland.

Andy Lanning, a peace-loving blacksmith, rescues Ann, the fiancée of Charles Merchant, from a runaway team. When the town bully picks a fight with Andy, he knocks him unconscious, and (thinking he has killed him) Andy rides into the hills. Merchant, jealous of Ann's admiration for Andy, bribes the sheriff to kill Andy, who has joined a band of outlaws in the wastelands. Forced to defend himself, Andy kills the sheriff, but later he saves the new sheriff's life and forces him to hear his story when he is placed in jeopardy by the outlaw band. Meanwhile, Ann, who has broken her engagement to Merchant, engages a lawyer to clear Andy, and he returns to find her awaiting him.

Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.

Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).

Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.

Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

Two former crooks, Eddie Ellison and Larry Scott, who have decided that they want to go straight, take a variety of jobs but always have to leave when their nemesis, Detective Harry Welch finds them.

In his last film, silent star William Russell plays the motorcycle policeman father of one of the restless and reckless new generation of late 1920s youth. The film was controversial as an early example of the rising tide of violence and disrespect for the law that would become key themes in the 1930s.

Kitty Collins and Flo Jenkins, a couple of jazz-age cuties with bobbed-hair and rolled-stockings, go in search of good-times and whoopee-making. The party they find also includes some out-of-town, butter-and-egg millionaires whose definition of whoopee is not the same as the one Kitty and Flo have. The wives of the millionaires also have a different-and-dim view on the matter.

Harle, a successful French businessman, is so absorbed with his factory that he neglects his wife Claire. One day, Harle's old friend Henri, the Marquis de Puymaufray, comes to visit, and Claire falls in love with the cultured and sensitive man. Several months after his departure, Claire gives birth to a baby girl, Claudia, and dies shortly afterward from neglect and depression. Twenty years pass and Claudia has grown into a beautiful woman. Her father wishes her to wed a count, but she loves Maurice, a young American. During a labor dispute, Claudia is abducted by her father's disgruntled employees and held for ransom. The marquis, who has long watched over the girl, loses his life in a rescue attempt, but Maurice finally succeeds in liberating his sweetheart. After the marquis' death, it is revealed that Claudia actually was his daughter, and Harle, crushed, retires to his country estate, freeing the girl to voyage to America with the man she loves. A lost film.