Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.

Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three songs for the festival's rock concert—including a classic '80s song by the Japanese punk rock band The Blue Hearts called "Linda Linda".

Comedy about a young man who causes pandemonium by raiding a bar patronized by his father, winning the favors of a hostess and ends up feeling the breasts and hips of all the girls in his father's office.

Ito is a second-year high school student and an only child who has to move to a different city; her mother remarried and begins her new life as an older sister of 4 siblings! The start of a family-love-comedy with four step-brothers!

Trade company employee Shinichi recommends to Naoko and Jiro to go to a beautiful place abroad. There, Naoko and Jiro meets tribal shaman and sees through her tricks. The shaman has refused to leave her place.

Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.

The year is 2020, the middle of the corona crisis. Art student Itsuka has her graduation exhibition canceled and must take home the piece which she had been working on for a year. In a whirlpool of emotions she clashes with her worried parents, her little sister overreacts to the virus and even her usually calm friend Hirai starts to build up frustration. In the middle of all that, she re-unites with Tanaka, who gave her the opportunity to absorb herself in painting, clashes with Hirai over their true feelings and tries to face her own future.

The story of a teenage boy called Yu, who falls for Yoko, a girl he runs into while working as an upskirt photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with Catholic guilt.

Melvin Junko was a nerdy weakling until he fell into a vat of toxic waste, turning him into the first ever superhuman creature from New Jersey. This time, he takes on Tokyo.

Second year high school student Kodaka Hasegawa has transferred to his new school about a month ago, but he still hasn't made any friends. Kodaka Hasegawa was born from a Japanese father and a British mother. Because of his appearance, people think Kodaka Hasegawa is a troubled kid. One day, Kodaka Hasegawa sees classmate Yozora Mikazuki pleasantly talking to herself. Kodaka Hasegawa talks with her about how to make friends. To make friends, Yozora Mikazuki decides to form the Neighbor's Club and forces Kodaka to enroll in the club.

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.