“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor.

A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.

Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew's nest... perhaps he'll never leave.

In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.

Based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.

After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.

A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.

As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.

Natural changes have the clans moving. Iza, medicine woman of the "Clan of the Cave Bear" finds little Ayla from the "others"' clan - tradition would have the clan kill Ayla immediately, but Iza insists on keeping her. When the little one finds a most needed new cave, she's allowed to stay - and thrive.

A story within a story within a story. In Australia's Northern Territory, an Aboriginal narrator tells a story about his ancestors on a goose hunt. A youngster on the hunt is being tempted to adultery with his elder brother's wife, so an elder tells him a story from the mythical past about how evil can slip in and cause havoc unless prevented by virtue according to customary tribal law.

In California, a group of women struggle with personal problems as their paths intertwine in unexpected ways. Dr. Elaine Keener, the sole caretaker for her aging mother, turns to tarot card reader Christine for spiritual aid. Christine grapples with her own angst due to her lover's debilitating illness. Meanwhile, a bank manager deals with an unwanted pregnancy, two sisters pursue romantic interests and a housewife gets back into the dating game.