Vampires, Ghouls
Comedy · Drama
Overview
In the spring of 1945 the war is still going on, but in Bulgaria the communists have already seized the power. The new rulers do justice according to their personal interests. This is the beginning of the era of Communism in Bulgaria - spiritual poverty, expropriation, destroying of the intelligentsia. In this chaos the main character, an actress fallen on hard times, wants to preserve her social status with every available means. She claims to be a Communist activist and, in order to gain access to the theater even shows a photo with the Bulgarian communist revolutionary Georgi Dimitrov's dog However, in order to survive, she has to resort to betrayal.
Top Cast


Ilka Zafirova
Ilka Zafirova
Wanda
Ilka Zafirova
Wanda


Pepa Nikolova
Pepa Nikolova
Mita
Pepa Nikolova
Mita
Petya Silyanova
Petya Silyanova
Rada
Petya Silyanova
Rada


Eli Skorcheva
Eli Skorcheva
Mila
Eli Skorcheva
Mila
Zhivka Gancheva
Zhivka Gancheva
Zhivka
Zhivka Gancheva
Zhivka


Vasil Banov
Vasil Banov
Garnevski
Vasil Banov
Garnevski


Nikolay Urumov
Nikolay Urumov
Taskov
Nikolay Urumov
Taskov
Petar Popyordanov
Petar Popyordanov
Gorcho
Petar Popyordanov
Gorcho


Stefka Yanorova
Stefka Yanorova
Sultanka
Stefka Yanorova
Sultanka
Mikhail Mikhailov
Mikhail Mikhailov
Mikhail Mikhailov
Similar Movies

At the beginning of 1991, Yugoslav army did not acknowledge Croatian's independence, and still holding few military barracks in Croatia. Gajski travels to an island to get his son out of the army. Locals have besieged the barracks and organized a festival to try with singing and recitals to get major Aleksa and his soldiers to surrender, but Aleksa has explosives thru the barracks and wants to blow up the island.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

Captain Vinka Kovalenko defects from Russia, but not for political reasons. She defects because she feels discriminated against as a woman. Captain Chuck Lockwood gets the order to show her the bright side of capitalism, while she tries to convince him of the superiority of communism. Naturally, they fall in love, but there's still the KGB, which doesn't like the idea of having a defected Russian officer running around in London.















