Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.

On a quest to fulfill a friend's last wish, Joe takes to the desert road on his 1957 Harley-Davidson. Joined by wannabe biker Sam, Joe journeys from Los Angeles to Nevada, meeting all sorts of characters along the way.

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.

In a Danish village in the early 1600s, a young woman named Anne, whose mother was thought to be a witch, develops sympathy toward an old woman, Marte, who is accused of witchcraft. The intervention of Anne's older but kindly husband, Pastor Absalon saved her mother -- but now, urged on by his overbearing mother, he refuses to help Marte. When Absalon's son returns home and is attracted to Anne, it's a matter of time before her family destiny catches up with her.

It seems that Bob Jones has everything a man could want, namely a fulfilling job and a beautiful, pregnant wife, Gail. But Bob's life is turned upside-down when he is diagnosed with cancer and given four months to live -- not even enough time to see his first child's birth. To cleanse himself of demons in his remaining days, Bob makes a video diary, hoping to pass along some wisdom to his future child. Along the way, he discovers a lot about himself.

A gay man in Soho looking for a new roommate tries to come to terms with a new reality after 9/11.

During a freezing WWII winter, two Soviet partisans on a mission to gather food contend with the temperature, the occupying Germans, and their own psyches.

A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass-shooting at his college, then took his own life.

This is a short film based on the 1979 film of the same name. The film is stylized with the actors wearing modernized robes and Roman jewelry and females playing male characters and vice-versa.

A feature film set over the course of one restless night in Beirut, the film follows Nuhad, who hires a struggling cameraman with his last US$ 300 to document what he believes will be a defining turning point in his life. As they drift through the city, a series of awkward encounters, impulsive detours, and disarming confessions begin to unravel his carefully constructed plan. What starts as a controlled narrative gradually gives way to something more intimate and unpredictable, revealing a tender, often darkly funny portrait of two men circling questions of purpose, identity, and connection. Grounded in the rhythms and contradictions of contemporary Beirut, the film balances humor and vulnerability, offering a quietly affecting story about the unexpected moments that can shift how we see ourselves and each other.

After the passing of his wife, a lonely newspaper editor discovers Berenalin: a medication that promises to put an end to his grief. Its effects begin to drive a wedge between him and his daughter, who needs him more than ever.

In a curious-looking old hospital, an elderly couple, Carlo and Clara, is waiting for their turn tenderly holding hands. There is a choice to be made, and the woman begins to hesitate. Only the words of the loving Carlo will be able to transform fear into courage. At one point the setting makes way for animation, suggested and overlapped by the words of Clara. It leads the listener to a deep reflection on life. The brief evocation of the magic of existence is imprinted in the deeply moved smile of the woman, certain that life on Earth is nothing but a stage of eternity.