This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Chronicles the musical career of British post-punk art rockers Wire.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

Portrays the misunderstandings, losses and shipwrecks of the past of an unusual character who walks the streets of San Telmo forced to build a new identity.

Diesel is a road-movie documentary on Punk Rock music

A documentary that explores the challenges that a life in music can bring.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...

The career-spanning anthology features more than 35 videos, tracing Jett's record-breaking career as the front woman of the Blackhearts. Both concert footage and classic videos are presented in chronological order on REAL WILD CHILD, with no-holds-barred commentary from Jett and longtime manager/partner Kenny Laguna, as well as rare and previously unreleased bonus material.