With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself.

“Christo: Works in Progress” takes us around the world on a showcase of the artist’s grand environmental installations. With both critique and praise from members of the communities that have hosted Christo and his works, the film takes a deep look into the process and outcome of pieces such as Wrapped Coast, Running Fence, and Wrapped Walkways. While discussing his inspirations and motives, Christo states, “The work of art is not the fabric, steel poles and cable, the work of art is the hills and the ocean, the sky, the gates, the rocks, the people, the light- this is the work of art.” (Christo Vladimirov Javacheff) Though his work may appear to be visually distracting from the landscapes he creates in, Christo’s aim is to bring attention to the land itself and encourage people to take note of their surroundings.

This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

1984, Franco-German border. A Berlin gallery owner transports the flagship sculpture from his collection for a major exhibition. Faced with the object, the French customs officer hesitates: is it really a work of art?

While restoring a fifteenth-century painting Julia reveals a hidden Latin phrase. A series of murders begin to rock her small world of art experts, patrons and restorers, and she finds that the mystery of the painting is interwoven with the mystery of the deaths around her.

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The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years of bloody war, the Greek coalition decides to lift the siege and depart, but not before leaving at the gates a huge wooden horse, which the Trojans confidently lead into the city. A few hours later, the once invincible Troy goes up in flames. What exactly happened? Is this myth true or false?

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

A young and naive college art student becomes obsessed with assuming the identity and personality of a departed coed who used to live in her room, and in so doing causes complications that result in two men, a student and her art professor, lusting after her.