Chronicles the musical career of British post-punk art rockers Wire.

After 200 years under lock and key, all the personal papers of one of our most important monarchs are for the first time seeing the light of day. In the first documentary to gain extensive access to the Royal Archives, Robert Hardman sheds fascinating new light on George III, Britain's longest reigning king. George III may be chiefly remembered for his madness, but these private documents reveal a monarch who was a political micromanager and a restless patron of science and the arts, an obsessive traveller who never left southern England yet toured the world in his mind and a man who was driven (sometimes to distraction) by his sense of duty to his family and his country. Featuring Simon Callow and Sian Thomas as the voices of King George and Queen Charlotte.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Actual footage by the United States Signal Corps of the landing and attack on Arawe Beach, Cape Glouster, New Britain island in 1943 in the South Pacific theatre of World War Two, and the handicaps of the wild jungle in addition to the Japanese snipers and pill-box emplacements.

This spiritual successor to the 1942 original explores the vibrant yet tumultuous growth of Britishness over the past century. The film gives voices to a new reality of Britain, one that has been formed through the flourishing multiculturalism the country has seen since the original film was made. Academics and artists are interviewed to explore both past and present, and consider what a future Britain may look like.

Hogwood: A Modern Horror Story takes you beyond the factory farm walls and follows an intrepid group of undercover investigators as they enter some of Britain's biggest factory farms for the very first time.

Trees talk, know family ties and care for their young? Is this too fantastic to be true? German forester Peter Wohlleben and scientist Suzanne Simard have been observing and investigating the communication between trees over decades. And their findings are most astounding.

The amazing story of the animograph, a machine created in France in the sixties by the cartoonist and self-taught inventor Jean Dejoux (1922-2015), whose creation was intended to revolutionize the animation industry.

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Chemical engineer and inventor Maria Telkes worked for nearly 50 years to harness the power of the sun, designing and building the world's first successful solar-heated modern residence and identifying a new chemical that could store solar heat like a battery. Telkes was undercut and thwarted by her (male) boss and colleagues at MIT, but she persevered. Upon her death in 1995 Telkes held more than 20 patents, and now she is recognized as a visionary pioneer in the field of sustainable energy whose work continues to shape how we power our lives today.

Timeshift turns back the clock to a time when villains wore silver capes, grannies swooned at the sight of bulky men in latex and the most masculine man in the country was called Shirley. In its heyday, British professional wrestling attracted huge TV audiences and made household names of generations of wrestlers from Mick McManus and Jackie 'Mr TV' Pallo to Giant Haystacks and Big Daddy. With contributions from inside the world of wrestling and surprising fans such as artist Peter Blake, this is an affectionate and lively portrait of a lost era of simpler pleasures, both in and out of the ring.

Beautifully made and historically important pipe organs are being scrapped in their hundreds. Once at the centre of British culture pipe organs are now neglected and unloved.