The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.

No description available.

While exploring the Baltic Sea in 2006, a Polish oil firm stumbled upon the remains of Germany’s first – and last – aircraft carrier at 80 meters depth off the coast near Gdansk. It was a discovery that solved an enduring maritime mystery that had baffled experts for over half a century. The Graf Zeppelin has finally been found! This film tells the incredible story of the lead ship of the German "Kriegsmarine", from its construction to its sinking and its amazing discovery over five decades later. The Graf Zeppelin was a war ship of massive proportions that was never used for its intended purpose and eventually fell into the hands of the Russians, who used it for target practice off the coast of Poland. The program features rare access to private Graf Zeppelin archives, state-of-the-art animation, dramatic reconstructions and a high-tech underwater shoot at the mysterious site of the sunken wreck.

The architectural plans for Berlin from 1938 are used as an example to illustrate the fascist claim to power and its aesthetic effect. The basis for this was the "General Building Inspection" under the direction of Albert Speer, whose enormous projects are illustrated by planning models and archive photographs.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.

No description available.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Hiroshima and Nagasaki: 75 Years Later is told entirely from the first-person perspective of leaders, physicists, soldiers and survivors.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.