TV drama set in the modern settings of an artistic couple from well-off background, between their working and sleeping room, as well as Croatian national theater.

A spirited heiress wishing to break into theatre on her own merit arrives at a boardinghouse where aspiring young actresses and showgirls are brought together through their cynicism and disappointments.

Julie Andrews was nominated for an Emmy for portraying the titular scullery maid who finds true love with a prince in this legendary adaptation of one of the most famous fairy tales of all time. A musical, made-for-television, with music by Richard Rodgers and book and lyrics by Oscar Hammerstein II, it is the only of the legendary composing team's musicals created specifically for that medium. It was originally broadcast live on CBS on March 31, 1957, and was a phenomenal success, viewed by more than 107 million people. Though it originally aired in full color, only a black & white kinescope of the production has survived.

A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.

Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

Pavel Pavlovich Goryaev is not that young of an actor. For many years he plays in the provincial theater in leading roles. The director of a play based on a play that was written for Goryaev takes the young actor for his role. Goryaev at first falls into despair, leaves the theater, turns to friends. After a while he digests what happened and realizes that it is time to leave the stage with dignity.

A mockumentary following the troubled production of Clockmen: The Musical, focusing on a cosplayer-turned-actress who reacts to the stress of the production in a rather unusual way.

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

Young Africans in Paris face insecurity and vague future. Should they stay in France, or return to their homes?

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.