The tale of an activist’s journey during the turbulent years of Martial Law, until his capture in the mountains and the dark, nine years of imprisonment that followed, leading to his birth as a poet.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.

Right in the heart of the South China Sea, the Philippines find themselves on the front line of the conflict between Beijing and Washington. As tension mounts between the two countries, we take an in-depth look at the situation in the archipelago.

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

French actress Marion Cotillard travelled to the Philippines to meet with children and young people on climate change and what they want big-polluting governments to do about it. One of the girls she met is Marinel, a survivor of the Super Typhoon disaster in the Philippines in 2013, who is taking action on climate change in her own community. She participates in Plan International’s climate change adaptation projects and now teaches at youth camps to pass on everything she has learnt to the younger children. Marinel travelled to Paris with Plan International for the United Nations Framework Convention on Climate Change (UNFCCC) 21st Conference of the Parties (COP21) in December 2015.

Jingle Chordbook Magazine, first published in 1970, promptly taught a generation of Filipinos to play the guitar. Its story also explores how a small independent publication survived the weight of its time – the dark Martial Law years – and how it inspired the Filipino youth to think for themselves and wield the guitar like a weapon. The documentary “Jingle Lang Ang Pahina” tells the story of Jingle, its ragtag crew, and its loyal fans in a rambling, multi-layered narrative told in different voices and perspectives by the writers, artists, fans, collectors, musicians, freaks.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Haiyan, considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.

YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.