
Two English Girls
Drama · Romance
Overview
In the early 20th-century, Frenchman Claude meets Englishwoman Ann in Paris. Ann invites him to her family home, intending him for her sister Muriel. Claude falls for Muriel, but families demand year-long separation before approving marriage.
Top Cast


Jean-Pierre Léaud
Jean-Pierre Léaud
Claude Roc
Jean-Pierre Léaud
Claude Roc


Kika Markham
Kika Markham
Ann Brown
Kika Markham
Ann Brown


Stacey Tendeter
Stacey Tendeter
Muriel Brown
Stacey Tendeter
Muriel Brown


Sylvia Marriott
Sylvia Marriott
Mrs. Brown
Sylvia Marriott
Mrs. Brown


Marie Mansart
Marie Mansart
Madame Roc
Marie Mansart
Madame Roc


Philippe Léotard
Philippe Léotard
Diurka
Philippe Léotard
Diurka


Irène Tunc
Irène Tunc
Ruta
Irène Tunc
Ruta
Mark Peterson
Mark Peterson
Mr. Flint
Mark Peterson
Mr. Flint


Georges Delerue
Georges Delerue
Claude's Business Agent
Georges Delerue
Claude's Business Agent
Marie Iracane
Marie Iracane
Madame Roc's Maidservant
Marie Iracane
Madame Roc's Maidservant
Similar Movies

Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.














