

Drama · Romance · War
Overview
In occupied Paris, an actress wed to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Top Cast


Catherine Deneuve
Catherine Deneuve
Marion Steiner
Catherine Deneuve
Marion Steiner


Gérard Depardieu
Gérard Depardieu
Bernard Granger
Gérard Depardieu
Bernard Granger


Jean Poiret
Jean Poiret
Jean-Loup Cottins
Jean Poiret
Jean-Loup Cottins


Andréa Ferréol
Andréa Ferréol
Arlette Guillaume
Andréa Ferréol
Arlette Guillaume


Paulette Dubost
Paulette Dubost
Germaine Fabre
Paulette Dubost
Germaine Fabre


Jean-Louis Richard
Jean-Louis Richard
Daxiat
Jean-Louis Richard
Daxiat


Maurice Risch
Maurice Risch
Raymond Boursier
Maurice Risch
Raymond Boursier


Heinz Bennent
Heinz Bennent
Lucas Steiner
Heinz Bennent
Lucas Steiner


Sabine Haudepin
Sabine Haudepin
Nadine Marsac
Sabine Haudepin
Nadine Marsac


Christian Baltauss
Christian Baltauss
Lucien Ballard, Bernard's Replacement
Christian Baltauss
Lucien Ballard, Bernard's Replacement
Similar Movies

A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.

















