RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Upon hearing that farmers in Indiana had taught their llamas to participate in an informal square dance, filmmaker Cevin Soling decided to raise the bar and see if llamas could be trained to perform in a major theatrical production of Swan Lake. The performance fuses high and low brow forms of art including a new rendering of the Tchaikovsky score. The vision takes Soling on a journey to the world of ballet, llamas, and jug bands.

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

The film tells the story of the regular visits that the legendary Russian ballet dancer Rudolf Nureyev made to Turkey between 1980 and 1990.

Alexis, a talented and proud student of the National Ballet School of Cuba, spends his life practicing chassé and entrechats with his girlfriend and dance partner Yelenia. However, when his family moves to Florida to be reunited with his sister, he must adjust his expectations and dreams to a radically new environment. Alexis, facing rejection and homesick for his native Cuba, feels lost and alone. He must find his way in the world of American ballet while remaining faithful to his roots.

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Maurice Béjart answers an interview about choreographic creation; it shows ballets and improvisations. The film was screened for the 1970 Directors' Fortnight, at the Cannes Festival.

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The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.

A prominent Russian ballet dancer and teacher Alexander Shiryaev had another talent hidden for almost a century. Archive materials that date back to 1906 reveal his bold experiments at stop-motion and paper animation.