A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.

When school captain Roddy Berwick takes the blame for his friend’s scandal, he is expelled and disowned by his family. Cast out of his privileged world, Roddy drifts through a series of humiliations—from waiter to penniless actor to gigolo—descending ever further into ruin and self-disgust.

30 years after Bob Marley's death Jamaica continues to be on top of the world-wide music scene. Reggae has evolved into a new genre, Dancehall.

An independent crew organizes sound system-style events for their community in the far north of São Paulo, using reggae music as a central form of cultural expression and resistance. Through pulsating bass, street parties, and collective gatherings, they transform public space into a vibrant platform for the identity, memory, and voice of the urban periphery.

why some people be mad at me sometimes is a single channel experimental film that cites the mother of Dancehall Sister Nancy singing her song bam bam in dialogue with Maya Angelou’s performance of the poem The Mask. The video is a meditation on the misappropriation of Blackness within music, and how often Black folks are told to not criticize but to smile and be grateful. All while tracing the filmmakers' relationship to Dancehall and Afro Caribbean culture through archival footage of themselves as a young person dancing at Folklorama. Folklorama has the intention to be a space for sharing diverse cultures but oftentimes a space of cultural consumption that erases the colonial history of the countries that are on display.

No description available.

A hypnotic dance-off in the Waterhouse community of Kingston, Jamaica that subverts elitist stereotypes of dancehall by invoking its spiritual and defiant force.

Prathapan Nair (Mukesh) and Rajendran Nair (Maniyanpilla Raju) are cousins and roommates. While they are bathing in a stream, they accidentally find a dead body. A series of comic events forms the rest of the movie.

After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.

When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.

Phil and Barney, two not-so-smart henchmen of a Mafia organization, stumble across a mysterious box full of money while burying a corpse in the woods. Their night turns to chaos when they decide to spend lavishly this unexpected fortune.

In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?