The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths

Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.

A report on the work of a reservist collective from a factory of the Guben chemical fiber combine.

Steve Backshall visits a hedgehog rescue centre in Surrey founded by Brian May. He meets the dedicated staff and discovering the stories behind some of the animals being treated, helps to release a successfully treated hedgehog back into the wild, and offers advice on how to make a garden into a welcoming environment for the creatures.

No description available.

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

This excerpt from A Pale Blue Dot was inspired by an image taken, at Carl Sagan's suggestion, by Voyager 1 on February 14, 1990.

Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.