Absolution Tour is a DVD released by the English rock band Muse. The DVD contains footage of most of the band's headline performance at the Glastonbury Festival 2004. The tracklist includes most of the songs from their third studio album, Absolution, plus performances of some older material.

On September 1, 2001, Irish rock band U2 made a triumphant return to their roots with two outdoor shows at Slane Castle, Ireland. U2 chose the castle venue because it marked two watershed moments for the band: their recording session for the landmark album THE UNFORGETTABLE FIRE in 1984, and their first Slane appearance opening up for fellow Irish rock band Thin Lizzy in 1981. U2 GO HOME captures the emotional intensity of the homecoming with 19 live tracks culled from the concerts.

Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

A documentary that explores the challenges that a life in music can bring.

Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.