Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.

As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

An Italian in East Africa having an affair with a coloured woman realises that his treatment of her is as tyrannical as more overt superior colonialist dogma. Based on a novel by Enrico Emmanuele.

Based on the experiences of Agu, a child fighting in the civil war of a West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.

A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.

After brilliant studies in France and a 15-year absence from his homeland, Adama, a young graduate of the Ecole Polytechnique, rushes back to Senegal. He is alarmed by a message informing him of the sudden decline in his grandmother's health. Upon arriving in Dakar, Adama discovers that his grandmother is in perfect shape... Was this a deliberate ploy to get him back home, and if so, why?

Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.

PK, an English orphan terrorized for his family's political beliefs in Africa, turns to his only friend, a kindly world-wise prisoner, Geel Piet. Geel teaches him how to box with the motto “fight with your fists and lead with your heart”. As he grows to manhood, PK uses these words to take on the system and the injustices he sees around him - and finds that one person really can make a difference.