A narrator recounts a story about his missing friend, the downfall of a sheep shearing gang and sightings of a hairy beast in 1980s rural New Zealand.

A documentary about the history of scrapie in Iceland.

Documentary detailing a farmer’s visit to the market in Rawalpindi.

A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

No description available.

Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.

Set in a small farming community in mid Wales, a place where Koppel's parents - both refugees - found a home. This is a landscape and population that is changing rapidly as small scale agriculture is disappearing and the generation who inhabited a pre-mechanised world is dying out. Much influenced by his conversations with the writer Peter Handke, the film maker leads us on a poetic and profound journey into a world of endings and beginnings; a world of stuffed owls, sheep and fire.

Postwar life of eight remaining inhabitants of Strmec, a village located in the very corner of Slovenian Alps near Italian border. When local partisans killed a German officer, the Nazi occupiers shot all males in the village as an act of revenge; those who remained are seven women of different age who traditionally wear black scarves, and young boy who hasn't any friends to play with.

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

No description available.

A man walks in more or less familiar places, walks there as if crossing unknown lands, never encountered before. At each step, he observes the world before his eyes, forcing him to fix it and freeze it in an “other” space and time, on the celluloid of his old camera. This man is Kurt Diemberger, climber and filmmaker of high peaks and distant lands. He is 82 years old, but he lives in the "now" rather than the past, continually exploring the land beneath his feet, in places dear to him in Austria, Italy and the Dolomites, as if he continued his research through the eye of the camera he uses for the observer.