In sixth-century Mecca, Prophet Muhammad receives his first revelation from God as a messenger. Three years later, he's not alone in his quest and publicly declares his prophecy. Muhammad is fought by Abu Sufian and his wife Hind, rulers of Mecca. Muhammad's followers are hunted and tortured but he continues his calling.

Religious fanatics are barricaded in a building and surrounded by police. But they're not going to surrender; they prefer to die.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

A sex and drug addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction", where instead he is faced with the truth in his heart and spirit.

A family (mother, daughter and son) tries to survive their loneliness and obsessions by going through different sexual experiences and relationships with a new neighbour, a prostitute.

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

After the death of her husband, an elderly vicar's wife re-discovers a book of erotic fiction that she wrote in her youth.

A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.

Henry’s and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.

A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.

The Mighty Crusaders (Italian: La Gerusalemme liberata) is a 1957 film about the First Crusade, based on the 16th-century Italian poem Jerusalem Delivered by Torquato Tasso. This film was directed by Carlo Ludovico Bragaglia.