On the street, Bébé has his pocket watch stolen. He sets off to find the thief himself.

With the help of Lévesque and Musidora, Feuillade creates a light-hearted meta-fiction, self-parodying his own work.

Homer Bagwell (Harry Gribbon) is an incredibly talented, but reluctant college football player who is dating one of his teachers, Helen Dover (Geneva Mitchell). A jealous rival tries sabotaging Homer.

A man's car breaks down, leading him to journey for a small plastic funnel.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

Ill-tempered Billy proves troublesome for fellow taxi drivers Franklin and Clyde.

A team of inept undertakers attempt to get a coffin to a funeral on time. An undertaker is in charge of moving a coffin from a home to the church. The home is on the 26th floor of a skyscraper; the stairs are narrow; the lift is small and prone to stop working. Chaos ensues.

Franklin gets into a disagreement with a tough sea captain. However, he doesn't find out until later that the captain is his fiance's father.

Two sailors decide to settle down and get married, and live to regret it.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

The “Animated Hair” films, featuring artwork by “Marcus” (not well-known animator Sid Marcus, but a caricaturist for the original humorous Life Magazine) were relatively easy for the studio to produce, using one artist (his hand usually seen on screen drawing the image) and the gimmick of manipulating one caricature with stop motion to create a second caricature (usually by rearranging a hair-do). Audiences were thrilled. Fifty one “Animated Hair” shorts were produced between 1924 and 1927. (from: thekidshouldseethis.com/post/animated-hair-cartoon-no-18-1925)

Four independent short films comprise this quirky anthology. "Coriolis Effect" (1994) is an offbeat love story involving storm chasers. In the Oscar-nominated "Solly's Diner" (1979), a homeless man (Larry Hankin, who also directs) witnesses a holdup. "Looping" (1991) satirizes independent moviemaking. And the dialogue-free "Joe" (1997) features David Aaron Baker as a psychiatric patient searching for enlightenment.