Ann, a 19-year-old girl who looks much younger, meets a dashing army major on a boat sailing from Liverpool to Bombay, India, and falls in love with him. Her love appears to be unrequited, though, because the major thinks she is far too young--and also, unknown to her, because he had once been in love with her mother. When a fellow passenger on the ship takes advantage of the naive girl the major comes to her rescue, but in the process the girl finds out about the past relationship between he and her mother.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.

Gerald Stanley (John Gilbert) is an English gentleman who is engaged to Beatrice Joyce (Alma Frances). But Stanley's personality changes whenever he drinks, and his brother (who also loves Beatrice) uses this to his advantage.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.

Two pals enlist in the army during World War I. Just before they complete training camp and are to be sent overseas, they're scheduled to marry their girlfriends. However, they get in trouble and wind up in the guardhouse. Their girlfriends are determined to get married, however, and in order to accomplish this, they disguise themselves as soldiers and sneak onto the base, where they unwittingly get mixed up with enemy spies trying to gather information.

While visiting Egypt, Mrs. Graham steals a famous jewel called "The Eye of the World" from a mummy's sarcophagus and returns to the United States, planning to use the gem as collateral for a loan. Kah, the priestess in charge of protecting the tombs of Egyptian nobility, is soon on her trail , determined to retrieve the gem. Mrs. Graham's lovely daughter, Betty, agrees to marry a suitor for money to prop up her father's failing business. When the bridegroom is murdered on the couple's wedding night, and the body disappears, Phil Kelly decides to lend a hand in solving the crimes.