A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

At the beginning of the Meiji era, Sayoko, the daughter of a large banker in Tokyo, comes to Sotobo's villa for the first time in eight years, guided by her student, Yasu. In fact, Yasu is the son of Keizo Naya, the keeper of this villa. His father and older sister, Kyoko, live quietly in this place, where people rarely visit, like recluses. Sayoko, who grew up sickly and full of selfishness, treats Yasu, who has feelings for her, like a slave, blindfolds him, makes him help her change clothes, and makes him imitate Sansuke in the bathroom.

The writer and college professor, Alexandre Fayard, researches and gives lectures about the gruesome literary work of the mysterious Japanese writer Shundei Oe, considered by him to be the master of manipulation.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

A classmate from Ushijima's middle school days, Takemoto, shows up. He was a kind man, but now is jobless and without a home. Adrift and unable to borrow money from Ushijima, Takemoto heads for Seiai Home where he can stay while doing work.

Satoru, a wheelchair-bound elementary student, locks himself away from the outside world after his mother dies. His father designs a remote-controlled robot to go to school for him, allowing him to interact with people and do normal things.

A middle-aged office worker encounters aliens and is gifted with alien technology and limitless powers.

Two women, aspiring documentary filmmakers, find themselves trapped in a monster-plagued Tokyo in 2003.

Six directors picked a favorite song by Japanese punk rock band "The Blue Hearts" and made a short film inspired by the song.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.