Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

A classmate from Ushijima's middle school days, Takemoto, shows up. He was a kind man, but now is jobless and without a home. Adrift and unable to borrow money from Ushijima, Takemoto heads for Seiai Home where he can stay while doing work.

Satoru, a wheelchair-bound elementary student, locks himself away from the outside world after his mother dies. His father designs a remote-controlled robot to go to school for him, allowing him to interact with people and do normal things.

Six directors picked a favorite song by Japanese punk rock band "The Blue Hearts" and made a short film inspired by the song.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.

Okoma, a witty young woman working as a conductor in an old, rickety bus in Kōfu, Yamanashi (rural Japan), has a creative idea that could avert the dwindling number of passengers when her job and the bus company itself are at stake.

A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Seven-year-old Rio visits her grandparents in Japan for the first time. She observes the beauty and unfamiliarity of the household, sensing a distance between her American family and the Japanese relatives. When her mother, Seiko, reveals an open secret during tea, the children are excused from the room and something happens behind closed doors.

Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.