

Action · Drama · Western
Overview
When the Sioux come to Canada, the Canadians permit them to stay in Canada if they come peacefully. However, some cowboys kill all inhabitants of one of their villages. The cowboys seek to get back their horses, but they pretend to search for a girl who once had been robbed by the Indians.
Top Cast


Robert Ryan
Robert Ryan
Inspector William Gannon
Robert Ryan
Inspector William Gannon


John Dehner
John Dehner
Frank Boone
John Dehner
Frank Boone


Torin Thatcher
Torin Thatcher
Superintendent Walker
Torin Thatcher
Superintendent Walker


Burt Metcalfe
Burt Metcalfe
Constable Springer
Burt Metcalfe
Constable Springer


John Sutton
John Sutton
Superintendent Walker
John Sutton
Superintendent Walker
Jack Creley
Jack Creley
Greer
Jack Creley
Greer


Scott Peters
Scott Peters
Ben
Scott Peters
Ben
Richard Alden
Richard Alden
Billy
Richard Alden
Billy


Teresa Stratas
Teresa Stratas
The White Squaw
Teresa Stratas
The White Squaw
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In 1825, English peer Lord John Morgan is cast adrift in the American West. Captured by Sioux Indians, Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. He eventually passes the many necessary tests that will permit him to become a member of the tribe.

Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West, and the Sioux tribe he left behind, Morgan returns to the their land only to discover that they've been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.

Kansas, 1868. A wagon train is attacked by a band of Lakota Sioux led by the young and athletic warrior Tokalah. The attractive, red haired Anna Brewster-Morgan and her friend Sarah White are on this wagon train too. When Tokalah noticed a terrified Anna with a Bible, he thinks this is an omen. Despite killing the other passengers of the wagon train, only Anna and Sarah may continue their voyage. The next day Anna and Sarah are kidnapped by Tokalah. At first terrified of her captors, the unhappily married Anna eventually falls in love with the noble, honorable Tokalah. After a year's captivity, Sarah is returned to her own people. Anna now must choose between her new life with Tokalah and her previous existence as the wife of farmer Daniel Morgan.

Refusing to go to school, anxious 16-year-old Tori is driven by her mother to her grandfather's rustic cabin in Eastern Manitoba on the remote American-Canadian border. As Tori struggles to adapt to the woodsman ways of her French Canadian grandfather, she ultimately must embrace the outdoors if she is to survive the deadly game of cat and mouse she is thrust into.

The only white survivor of a Crow Indian raid on a wagon train is a young boy. He is rescued by the Sioux, and the Sioux chief raises him as an Indian in very way. Years later, the white men and the Sioux threaten to go to war and the Indian-raised white man is torn between his racial loyalties and his adopted tribe.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life.













