

Western · Action
Overview
The only white survivor of a Crow Indian raid on a wagon train is a young boy. He is rescued by the Sioux, and the Sioux chief raises him as an Indian in very way. Years later, the white men and the Sioux threaten to go to war and the Indian-raised white man is torn between his racial loyalties and his adopted tribe.
Top Cast


Charlton Heston
Charlton Heston
James 'Jim' Aherne Jr. / War Bonnet
Charlton Heston
James 'Jim' Aherne Jr. / War Bonnet


Susan Morrow
Susan Morrow
Tally Hathersall
Susan Morrow
Tally Hathersall


Peter Hansen
Peter Hansen
Lt. Weston Hathersall
Peter Hansen
Lt. Weston Hathersall


Joan Taylor
Joan Taylor
Luta
Joan Taylor
Luta


Richard Rober
Richard Rober
Capt. Arnold Vaugant
Richard Rober
Capt. Arnold Vaugant


Don Porter
Don Porter
Running Dog
Don Porter
Running Dog


Ted de Corsia
Ted de Corsia
Iron Breast
Ted de Corsia
Iron Breast


Ian MacDonald
Ian MacDonald
Yellow Eagle
Ian MacDonald
Yellow Eagle


Milburn Stone
Milburn Stone
Cpl. Martin
Milburn Stone
Cpl. Martin


Angela Clarke
Angela Clarke
Pehangi
Angela Clarke
Pehangi
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In 1825, English peer Lord John Morgan is cast adrift in the American West. Captured by Sioux Indians, Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. He eventually passes the many necessary tests that will permit him to become a member of the tribe.

Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West, and the Sioux tribe he left behind, Morgan returns to the their land only to discover that they've been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.

Kansas, 1868. A wagon train is attacked by a band of Lakota Sioux led by the young and athletic warrior Tokalah. The attractive, red haired Anna Brewster-Morgan and her friend Sarah White are on this wagon train too. When Tokalah noticed a terrified Anna with a Bible, he thinks this is an omen. Despite killing the other passengers of the wagon train, only Anna and Sarah may continue their voyage. The next day Anna and Sarah are kidnapped by Tokalah. At first terrified of her captors, the unhappily married Anna eventually falls in love with the noble, honorable Tokalah. After a year's captivity, Sarah is returned to her own people. Anna now must choose between her new life with Tokalah and her previous existence as the wife of farmer Daniel Morgan.

Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

When the Sioux come to Canada, the Canadians permit them to stay in Canada if they come peacefully. However, some cowboys kill all inhabitants of one of their villages. The cowboys seek to get back their horses, but they pretend to search for a girl who once had been robbed by the Indians.

When the Oglala Sioux Tribe passed an ordinance separating industrial hemp from its illegal cousin, marijuana, Alex White Plume and his family glimpsed a brighter future. Having researched hemp as a sustainable crop that would grow in the inhospitable soil of the South Dakota Badlands, the White Plumes envisioned a new economy that would shrink the 85% unemployment rate on the Pine Ridge Reservation. They never dreamed they would find themselves swept up in a struggle over tribal sovereignty, economic rights, and common sense.















