This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

Hugh Whitemore adapted Bruce Chatwin's novel for this tale of a New York antique dealer who travels to Prague to buy the porcelain collection of the late Baron Utz, only to become embroiled in the wreckage of the dead man's unusual life history after he discovers that the collection is missing.

A woman who lives in Spain has trouble convincing anybody that a complete stranger has taken her dead brother's identity.

An exploration of the relationship between a lawyer and a beautiful heiress, from scandal to a mysterious death.

In 1961, Sally Bishop and her husband vacation to Northern Italy, where they get stranded at a remote villa run by the enigmatic Vova, who presides over a household of beautiful, deathless women and their caretaker. As Sally becomes entangled in their world of seduction, violence and illusion, she begins to lose her grip on time and self as her own dark transformation unfolds.

The Crawley family goes on a grand journey to the south of France to uncover the mystery of the dowager countess's newly inherited villa. Meanwhile, a Hollywood director seeks to film his latest production at Downton.

Art film producer Jeremy Prokosch, unhappy with the work of his director, hires Fritz Lang (as himself) to direct an adaptation of The Odyssey, but when it seems that the legendary filmmaker is making a picture destined to bomb, he brings in a screenwriter to energise the script. The professional intersects with the personal when a rift develops between the writer and his wife.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

On the Italian coast, writer Paul Decker has grown unhappy in his marriage and executes what appears to be a perfect murder of his wife. While Paul is believed to be writing a book in France, his stepdaughter, Candy, suspects him of murdering her mother, as well as her father years before. With the police unwilling to investigate any further, Candy sets out to confirm her suspicions and take Paul down herself.

An aged, above suspicion, bourgeois man known as ‘The Master’ lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is involved in an illicit trade in antiquities, acts as a loan shark, and trades antiquities on the black market. The ‘Master’ has two henchmen, Mercury and John, who both commit fatal mistakes. Mercury falls for the daughter of ‘Master’, while John becomes obsessed with a prostitute. Both of them, as ‘sentimentalists’, must be eliminated.

On a beach in Nice, François meets the mysterious Peggy and falls in love with her. Following her to a villa, he meets Marc, a lawyer who has a strange relationship with the girl.

A weary mother seeking solace retreats to a serene Tuscan villa, where the adorable Italian innkeeper and a handsome novelist with writer's block, draw her into a story of unexpected connection and renewal.