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George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.

Dans ce spectacle, mis en scène par sa soeur Judith Elmaleh, il parle de son enfance, de son fils et de son père ; 750 000 places seront vendus.

"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.

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A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.

Once upon a time... "The other day..." is his catchphrase, his trademark: the expression that introduces each of his sketches. A true storyteller of everyday life, Olivier de Benoist recounts with verve and finesse his life experiences inspired by his family, the world of work, society... all of which are inexhaustible sources of jokes and anecdotes with highly laughable potential. With this man who defines himself as a popular comedian with a script, routine always turns into an adventure novel. A one-man show designed especially for Comédie+, so you can say... "The other day, I laughed so hard!" Recorded on June 25, 2025, at the Théâtre des Sources in Saint-Amand-les-Eaux, in the Hauts-de-France region, for the benefit of the Canal+ Group's Comédie+ channel.

The "at peace" Dieudonné no longer opposes the system: he absorbs and transcends it. After sating spirits with laughter through unworthy and immoral characters, the artist becomes a gangster of beauty and a slave to grace.

More mature without being wise, as incredible as it is true, Cathy Gauthier is about to dazzle you with a third, more personal and authentic show. Between her childhood memories, which are unusual to say the least, and her enlightened view of current realities, the one who dreamed of being a “beautiful princess” has amassed her share of hilarious disillusionments. She shares them without restraint, with the energy and rhythm that make her a great comedian.

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