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More mature without being wise, as incredible as it is true, Cathy Gauthier is about to dazzle you with a third, more personal and authentic show. Between her childhood memories, which are unusual to say the least, and her enlightened view of current realities, the one who dreamed of being a “beautiful princess” has amassed her share of hilarious disillusionments. She shares them without restraint, with the energy and rhythm that make her a great comedian.

If you ask him, "Can you do a comedy show about war?" Jeremy will say yes, because war is great! So he dug deep, dug deep, and dared to answer the questions you no longer dare to ask! Are we really protected by cops on rollerblades? Is Daesh really a start-up on the rise? Should companies that made their fortune thanks to the Nazi regime feel guilty? Can you be a humanitarian and have a teak terrace? He will also give you anti-terrorism training and explain why Al Qaeda without Bin Laden is like Apple without Steve Jobs.

The "at peace" Dieudonné no longer opposes the system: he absorbs and transcends it. After sating spirits with laughter through unworthy and immoral characters, the artist becomes a gangster of beauty and a slave to grace.

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French comic Gad Elmaleh regales a Montreal crowd with tales of awkward mix-ups and baffling customs he's encountered since moving to the U.S.

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Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.

Chris Elliot plays FDR in his live "One Man Show" about the life and times of the president, however, he looks and sounds nothing like the man and he re-enacts events from Roosevelt's life that never happened.

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As master of ceremonies, Eric Antoine brought together on stage the most irreverent and unpredictable comedians of the moment: Jarry, Jérémy Ferrari, Bun Hay Mean, Donel Jack'sman, as well as Guillaume Bats, Thomas Wiesel, and Redouanne Harjane.

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!