The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

A 71 minute look into the wacky world of religion. Targeting groups from Catholics to Baptists, this movie exposes the idiocy that is associated to religion in general. This is the fourth film release from B.A. Brooks and is quickly causing quite a stir in religious communities across the globe, while also hailing acclaim as a very entertaining, and insightful film experience.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

From Kristin Kobes Du Mez, the creator/author of Jesus and John Wayne, comes a powerful new documentary highlighting how a culture of submission and sexual abuse in the evangelical church ties directly to the Christian nationalist quest to use the outcome of the 2024 election to deprive all American women of basic democratic rights. FOR OUR DAUGHTERS speaks to all women of faith, encouraging them to use their voices and their votes to ensure that their daughters will have the rights to health and happiness guaranteed to all Americans.

Witness a life-changing worship experience from the comfort of your home as the next generation arises and as teenager Jayden Watkins delivers a life-changing initial sermon to the world. Get ready for a hand-clapping, convicting, and powerful move of God at Jayden Watkins's ministerial licensing service. Special guests include Pastor Rev. Charles W. Burwell, Rev. Ann Jones, Big Ruin Creek Next Generation Praise Team, Rev. Anthony Vickers, Rev. Cora Vass Boyd, Spring Street Youth and Young Adult Choir, Rev. Gertrude Harris, Deacon Leon Foster, Praise Angles of New Grassy Creek MBC, Daughters of Miriam (Kingdom Church of Deliverance), Jaydah Watkins, Singers Of Faith and many more.

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The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn't live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

Is My Living in Vain is a meditation on the continuing history and emancipatory potential of the Black church as a space of belonging, affirmation and community organising. Combining shot footage, oral histories and archive material from both sides of the Atlantic, the film follows a tangled thread of personal and collective memories to interrogate the church’s contribution to a Black radical tradition.

Beautifully made and historically important pipe organs are being scrapped in their hundreds. Once at the centre of British culture pipe organs are now neglected and unloved.