Documentary short focusing on the making of Alfred Hitchcock's 1953 film I Confess.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Screenwriter John Michael Hayes reminisces about his partnership with Alfred Hitchcock during the making of the classic 1954 film Rear Window.

A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

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A sardonic look at the dark secrets of the British Film Industry of the 1920s and 30s, where scandal and sordid behaviour was almost as rife as in Hollywood.

A documentary about Alfred Hitchcock's classic 1954 film Rear Window.

Film director Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual "Who Done It" mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).

A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).

The film comprises edited excerpts from 40 Hitchcock films in six chapters, each focusing on a different motif that reveals some of Hitchcock’s dark obsessions and techniques.