This documentary recounts the difficult choice actress Mary Astor had to make after learning her personal, very intimate, diaries had been stolen. The film tells the story of Astor's 1936 child custody case.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.

In January 1996 filming began on a new episode of Doctor Who set in San Francisco, but shot in Vancouver, Canada. Sylvester McCoy flew out to join the production team to re-create his role as the Seventh Doctor and to hand over to Paul McGann. In this behind-the-scenes video diary, Sylvester gives us a personal account of his final days as the famous Timelord. Reminiscing about the "old days" and drawing comparisons with the experience of working on this latest adventure, he talks to Paul McGann, Daphne Ashbrook (Dr Grace Holloway) from the new production and Anneke Wills (Polly) from the show's past. All shot on Hi-8 camcorder.

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

Follows the story of the beloved and internationally acclaimed Swedish actress Lena Nyman, based on 17 paper bags with diaries that she left behind.

Home Improvements, Robert Frank’s first video project, is a simple and poignant diary of consequential events. It is about the relationship between Frank’s life as an artist and his personal life, and how the two are inevitably intertwined. It was made cheaply with a half-inch video porta-pak. Home Improvements takes place in New York and Nova Scotia and in the mental space between these two opposing worlds

A look at past diary entries reveals a teenage girl's struggles with body image and depression

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

Documentary about British author and actor Alan Bennett. Recorded over the course of a year, the film features a number of intimate encounters with Bennett, including a trip to New York to receive an award from the city's public library, a national radio appearance and a visit to his local community-run library in Primrose Hill, London. Reflecting on key periods of his life as well as providing observations on current events.

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.