
The Summit
Documentary
Overview
The actions of the Italian police against peaceful demonstrators durign G8 in Genua in 2001, one of whom died and a hundred of whom sustained serious injuries, was described by Amnesty International as one of the most severe breaches of democratic rights in a European country since the SecondWorld War. Under the pretext of wanting to arrest members of the anarchistic Black Bloc, police stormed into the Diaz school complex which at the time housed journalists covering the event, and spent over two hours raining blows on defenceless women and men.
Top Cast


Hans Abrahamsson
Hans Abrahamsson
Himself
Hans Abrahamsson
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Vittorio Agnoletto
Vittorio Agnoletto
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Vittorio Agnoletto
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Giovanni Aliquo
Giovanni Aliquo
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Giovanni Aliquo
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Paolo Bellino
Paolo Bellino
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Paolo Bellino
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Mauro Bulgarelli
Mauro Bulgarelli
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Mauro Bulgarelli
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Valerio Calieri
Valerio Calieri
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Valerio Calieri
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Vincenzo Canterini
Vincenzo Canterini
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Vincenzo Canterini
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This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. "A Missing Day" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?

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On October 17, 1961, 30,000 Algerians demonstrated peacefully in Paris to protest the discriminatory curfew imposed upon them and to demand Algerian independence. Under the authority of the then Prefect of Police, Maurice Papon, the demonstration was brutally repressed, resulting in the deaths of dozens of Algerians. Historians cite eleven thousand arrests, dozens of murders, demonstrators thrown into the Seine, hundreds of expulsions, and just as many complaints that went unanswered; all for a night that would become a blind spot in the national narrative. No investigation, no trial, and certainly no commemoration. The day after the demonstration, Jacques Panijel began filming *October in Paris* to alert the public to the massacre that had just taken place in the streets of Paris. The film was banned by the French authorities. It obtained a distribution license in 1973. It was first shown in theaters in October 2011.

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