Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.

Keur Simbara is an intimate, lyrical short documentary that follows a group of women community organizers in a rural Senegalese village as they build and sustain systems of health, finance, agriculture, and domestic infrastructure. Amid water scarcity and environmental challenges, they articulate their hopes for the future and the legacy they wish to leave behind. Keur Simbara is a tribute to communal wisdom and the power of local organizing.

The story of four Senegalese youths from the suburbs of Dakar who are about to set their country ablaze in 2011, via the grassroots movement called Y’en a marre (We’re fed up).

Each year, the pilgrimage of the Muslim brotherhood of the Mourides takes place in Touba. From all over Senegal (and even from all over the world) pilgrims flock to take part in this religious event which will last three days and two nights. Grand Magal in Touba evokes the black Islam, promotes peace and tolerance, born of syncretism between Islam and the blackness of the Sufi brotherhoods in Senegal.

Senegalese director Djibril Diop Mambéty, one of the greatest figures in all of African film, died in 1998. In this behind-the-scenes documentary, shot during the making of his final work, The Little Girl Who Sold the Sun / La petite vendeuse de soleil, Mambéty speaks with his technicians, prepares the actors, talks with his young star, and, in voiceover, shares his thoughts on cinema and life.Mambéty doesn't differ significantly from the stock "behind-the-scenes" documentaries that adorn most DVDs nowadays, except that Mambéty's films have scenes you actually want to be taken behind. Because of the kind of attention that gets paid to African cinema, there's an initial intrigue to Mambéty, but that interest is sustained by Mambéty's own lyrical insights into his aesthetics.

African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.

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Finding shelter in an abandoned mansion, a group faces the challenges of coexistence. Free from traditional power structures, the black women experience power, love, and the possibility of dreaming about the future, while the white women resist learning to help with household chores, take care of themselves, and face their mistakes. When an old threat resurfaces, however, they all must band together to survive.

When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.

Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Willy, Kurt and Hans are broke, so they sell their car and open a filling station. Then, they all fall in love with the same girl.