During the 2020 pandemic summer, El Colegio de la Desextinción infiltrated into the holidays of four Divine Caste’s descendants. This elite built its wealth on slavery in the sisal plantations of Yucatán, Mexico, at the end of the 19th and beginning of the 20th century. Every year these families move to their opulent summer houses at Chicxulub Puerto, built at the same place where the asteroid that killed the dinosaurs hit. In these apocalyptic beaches, seducers of asteroids and conquistadors, we proposed the young heirs to write and star in a film about Chicxulub’s crater, in which they staged their entrepreneur fantasies.This documentary is the result of the political unconsciousness of this peninsular ethnic group.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

1990 TV adaptation of a 1979 biographical play by Ned Sherrin & Caryl Brahms, based on the life of conductor and impresario Sir Thomas Beecham. With Timothy West as Beecham.

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Eighth-generation Tasmanian and environmentalist Oliver Cassidy embarks on a life-changing solo rafting trip down the beautiful yet remote Franklin River. His goal is to retrace his late father’s 14-day expedition to attend the blockade that helped save the World-Heritage listed national park from being destroyed by a huge hydroelectric dam project in the early 1980s.

The issue of artificial insemination has biological, medical, psychological, and ethical dimensions. Filmmaker Marie Mandy approaches the topic in her own unique way, involving scientists from various disciplines. The artificial womb—is it a futuristic fairy tale or scientific reality? Filmmaker Marie Mandy uses a very personal visual style to explore the latest research findings in the field of artificial insemination. She highlights the biological, ethical, and psychological issues surrounding this (r)evolution, while also questioning the value of life and the power of science.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Supermodel Adriana Lima presents a behind-the-scenes look at the FIFA congress in the Rwandan capital of Kigali in March 2023, which made Kigali the first-ever host city of a FIFA elective congress in Africa.

On July 8, 2019, an unusual expedition set sail in the town of Petropavlovsk in Kamchatka. A group of filmmakers, adventurers, climbers, environmentalists and a software entrepreneur traveled along the islands of Onekotan, Ushishir, Simushir, Urup and Kunashir to explore the environmental impact on this remote area of the earth, attempt first ascents, and raise awareness for the protection of the islands.

In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Meet Nikola Tesla, the genius engineer and tireless inventor whose technology revolutionized the electrical age of the 20th century. Although eclipsed in fame by Edison and Marconi, it was Tesla's vision that paved the way for today's wireless world. His fertile but undisciplined imagination was the source of his genius but also his downfall, as the image of Tesla as a mad scientist came to overshadow his reputation as a brilliant innovator.