A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.

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Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.

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In the farmhouse Gaikoborda, located in the north of Navarre, a mournful family lives; dad, mom, and their four children: Jon, the paraplegic Aintzane and the twins Saioa and Anartz. One of these monotonous days, the mother recieves a visit: the doctor.

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