When the critically acclaimed, tough and coming of age actress Thea Barfoed ends her rehab, she confronts a hard choice. During her heavy drinking period she divorced and lost custody of her two boys. Now she wants them to be a part of her life again.

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.

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Sartika, a pregnant young woman, moves away from her city hoping to provide a better future for her child. She meets Maya, a coffee shop owner in Pantura. Maya takes care of Sartika and helps with her deliveries. After Sartika gives birth, Maya manipulates her into working for her as the "Kopi Pangku" waitress, a job that requires her to serve coffee on a man's lap, until one day she meets a fish distributor truck driver named Hadi and falls in love. Will she find happiness?

Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.

In the farmhouse Gaikoborda, located in the north of Navarre, a mournful family lives; dad, mom, and their four children: Jon, the paraplegic Aintzane and the twins Saioa and Anartz. One of these monotonous days, the mother recieves a visit: the doctor.

When Tyler Davidson brings his college buddy Chase home for the summer holidays a secret is revealed that threatens to tear his perfect family apart.

A divorcee has a passionate affair with a much younger surfing instructor in Hawaii.

It is often easier to suppress stressful experiences instead of dealing with them. And so Klara stands alone in a clearing looking for her child. The young mother sets off on her search and is drawn into the dark forest more than she would like. Disoriented, she threatens to literally sink into it. Restless and guided by the calls of her child, she penetrates deeper and deeper into nature and thus also into the depths of her own consciousness. Accompanied by the gnawing certainty of a terrible truth, she walks on the threshold between reality and dream.

A romance is played in reverse, revealed through memories brought on by improvisational music.

After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don't know the real reason they're visiting -- and the catch is, neither does Rudi...