A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

Simon and Zoé meet on Tinder. They live in the same suburban town and Zoé, wasting no time, invites him right over to her house. Simon can’t believe his luck! But once he arrives, he quickly understands that his date may prove more complicated than expected.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

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A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).

The fine folks at EIT have spent years digging thought thrift establishments, video caverns, and haunted houses throughtout the country in order to create the most mind-melting VHS mash-up imaginable. Literally thousands of hours of video gold have been chopped up into millions of pieces and gluded back together into an ever-multiplying bizarre path to allegorical self-enlightenment and surreal resurrection. Obviously!

The team of smart-talkin' toddlers known as Everything Is Terrible! have once again emerged from their VHS cocoons to conjure a jam on culture so culture-jamtastic that we're sorry we can't be there to hold your hand as you watch in dazed amazement. Thousands of hours of brain-boiling footage have been concentrated into an impenetrable jewel of an experience, teach us once and for all that loving well is the best revenge.

A couple hire a detective to locate their missing daughter. He finds her in a "house of ill-repute."

To escape an arranged marriage in the Dragon Palace, Kim Yong-man, the dragon king's daughter, flees to the human world and begins high school, determined to become the top of her class. There, she encounters Shim Hae-soo, the current number one student sitting beside her. As rivalry shifts into friendship, the two gradually become special to each other.

Yowamushi Pedal: Re:RIDE compiles the first half of the Inter High arc from the first television anime season with some cuts of new footage added.

The Midnight Special is an American late-night musical variety series that aired on NBC during the 1970s and early 1980s, created and produced by Burt Sugarman. It premiered as a special on August 19, 1972, then began its run as a regular series on February 2, 1973; its last episode was on May 1, 1981. The ninety-minute program followed the Friday night edition of The Tonight Show Starring Johnny Carson. The show typically featured guest hosts, except for a period from July 1975 through March 1976 when singer Helen Reddy served as the regular host. Wolfman Jack served as the announcer and frequent guest host. The program's theme song, a traditional folk song called "Midnight Special", was performed by Johnny Rivers.

Bobby Roberts was a very bad boy, he beat his mother to death with a milk bottle. After 20 years in the insane asylum, Bobby escapes and returns to his hometown intent on delivering his wrath as THE MILKMAN.