Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.

Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.

Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.

Jimena admires the perfection of her parents marriage. However, an unexpected gesture from her mother awakens a doubt in her that begins to unsettle the idealized image she has always had of her family. Jimena confronts the hidden side of morality and comes to understand that nothing is as it seems.

In Bogota, a bird-girl leaves behind the family home, her domineering mother and faithful dog to go and explore her sexuality.

In the hallways of a university in Belém, Emmanuelle, a shy and observant photography student, silently falls in love with Lenore. Lacking the courage to confess her feelings, she begins leaving anonymous notes inspired by Edgar Allan Poe in the places Lenore frequents. Intrigued and captivated by Lenore, Emmanuelle starts secretly following the clues from this admirer, drawing the two closer to an inevitable encounter.

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Between paints and easels, in various paintings and sheets of paper, Elisa's body and face occupy the whole place. Desired, observed, and immortalized—being a muse isn't as simple as it seems.

Two friends, a boat, and a sun that always is.

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Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.

Looking for his next victim, a serial killer stalks a young violinist who is heading home after a performance.