Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

The courageous female wrestlers of Ciudad Juárez, a city known for its high murder rate against women - who fight in the ring and in their daily lives to redefine the image of what it means to be a woman in Mexico.

What if your father murdered your mother? Maeve, Roser, and sisters Perla and Aurora each lost their mother, their father, and their safe home in a single day. Director Sara Kolster, in collaboration with expert Perla Joy, tells their stories about that single day, about how it could happen, but especially about what came afterward. Using tape, they reconstruct the contours of their childhood home, as it was before it became a crime scene, even though it served as a blueprint of their childhood.

In France, victims and perpetrators of offenses, misdemeanors, or crimes can meet and talk in secure, supervised settings. Included in the Penal Code since 2014, this "restorative justice" is intended to complement criminal justice and provide a safe space for dialogue. The aim is to enable victims to rebuild their lives and perpetrators to take full responsibility for their actions, thereby reducing the risk of reoffending. This film follows one such program over the course of a year. Amélie, a prison rehabilitation and probation counselor, and Séverine, a lawyer for a victims' association, prepare Marthe, Aurélien, Sylvain, and JF, who are incarcerated for murder or attempted murder of their spouses. They also follow Emeline, Evelyne, and Marie, victims of similar crimes.

CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.

A documentary examining the mysterious deaths of three young Indigenous women in south-central Montana, featuring access to family members, tribal officials, law enforcement, and community activists.

An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country transformed into a gigantic mass grave thanks to a climate of impunity established by both criminal gangs and state authorities.

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

Twenty-six-year-old Shani Warren was found drowned in Taplow Lake, Buckinghamshire, with her hands tied and feet bound together in 1987. Revealing how it took a forensic breakthrough to solve the 35-year mystery of the death of The Lady in the Lake.

In the form of a cyber-investigation, this documentary seeks to decode the manosphere and expose its dangers. Journalist Pierre Gault "infiltrated" forums, Telegram or WhatsApp groups, and private conversations. The normalization of sexual assaults, calls for rape, misogynistic and racist rhetoric, harassment... his deep dive into masculinist communities is staggering, uncovering a culture of hatred toward women.

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