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Ten years after documentary filmmaker Tom Alandh started filming homeless drug addict Pia Sjögren, he makes his third and final film about her. Pia was 14 years old when she started smoking cannabis and using drugs. Then it all happened really fast. The heavier drugs, the men who beat, and years of cold nights in basements and attics. Treatment and punishment. Rehabs and prisons. Relapse. Constantly back, at the complete bottom, among shame and guilt. For ten years, Tom Alandh and photographer Björn Henriksson documented Pia's life. Two films were made, this is the third and last film, which shows how she managed to get clean against all odds.

This documentary follows Pia, who is homeless. She is struggling with her drug addiction. During the day she (and many other homeless people) sells the newspaper Situation Sthlm.

It has been three years since Tom Alandh made the film "Det svåra livet" about homeless drug addict Pia. This film shows what has happened to her since.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

This film is part of a project that has listened to over 40,000 people on masculinity issues and has resulted in a documentary and a tool book based on this publicly available study through an agreement with the Social Information Consortium (CIS) of the University of São Paulo.

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

Affluent and arrogant businessman Goddard Bolt, feuding with rival Vance Crasswell over a land deal, makes a bet with Crasswell that he has the wits and street smarts to live penniless and anonymous on the rough streets of Los Angeles for thirty days. But Bolt has a rude awakening when the reality of homelessness hits him. Still, he finds a silver lining in a burgeoning romance with Molly, a former Broadway dancer who has fallen on hard times.

An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.

A bold reveal of a rose tattoo opens this 1980 documentary on tattooing in New Zealand. The potted history includes visits to tattoo parlours on K' Road and Hastings, and the studios of industry legends Steve Johnson and Roger Ingerton. Tattooists discuss public stigma, people's reasons for getting inked, and popular designs: sailors, serpents, swallows and tā moko. Made for documentary slot Contact, Skin Pics chronicles a time when "folk art has become high art".

Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.