In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

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As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A profile of Swedish diplomat Raoul Wallenberg, the film covers his role in saving the lives of Jewish refugees from the Holocaust, as well as exploring the evidence that he may still have been alive in a Soviet gulag as late as the early 1980s.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

Captain Eric 'Winkle' Brown recounts his flying experiences, encounters with the Nazis and other adventures leading up to and during the Second World War. Illustrated with archive footage and Captain Brown's own photos.

The surprising story of how one of music's biggest icons helped to establish a USS Arizona memorial in Pearl Harbor. Elvis’ fundraising concert drew public attention to the plight and helped to galvanize efforts to finish the USS Arizona Memorial as it stands today.

The real Great Escape didn't feature Steve McQueen racing through the Third Reich on a motorcycle like in the 1963 movie, but the big breakout was still thrilling in every way. This program sheds new light on the audacious escape of 76 Allied airmen from a Nazi POW camp during World War II.

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Through exploring the body as a landscape, 'The Copper Kings' plays with visual metaphors that connect the patriarchal philosophy and process of extraction to the dissection of our own bodies.