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Hans Moser
Hans Moser
Kreithofer-Großvater
Hans Moser
Kreithofer-Großvater


Vivi Bach
Vivi Bach
Ev Dünkelberg
Vivi Bach
Ev Dünkelberg


Hubert von Meyerinck
Hubert von Meyerinck
Friedrich Wilhelm Dünkelberg
Hubert von Meyerinck
Friedrich Wilhelm Dünkelberg


Beppo Brem
Beppo Brem
Hias
Beppo Brem
Hias


Harald Juhnke
Harald Juhnke
Max Krause
Harald Juhnke
Max Krause


Ruth Stephan
Ruth Stephan
Ms. Schülke
Ruth Stephan
Ms. Schülke


Michl Lang
Michl Lang
Haslinger
Michl Lang
Haslinger


Thomas Alder
Thomas Alder
Michael Kreithofer
Thomas Alder
Michael Kreithofer
Lolita
Lolita
Zenzi
Lolita
Zenzi


Ted Herold
Ted Herold
Himself
Ted Herold
Himself
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When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Comedian Cedric the Entertainer uses his considerable appeal to introduce some up-and-coming young stand-up comedians. Cedric himself takes on topics such as Bill Clinton, the death penalty, reality television, fast-food chicken, church etiquette, and much more. The other comedians are a mixed lot: Roland Powell amusingly mocks insecure boyfriends and sings a singles bar pick-up song and Juan Villareal gets some laughs out of food stamps and The Blair Witch Project, while Tony Luewellyn flounders through weak material about Ex-Lax and the war on terror. Then along comes J.J., who gives a surreal spin to roadkill and giving birth to septuplets.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

















