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The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

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Denise, Dilma and Teresinha are three women with visual impairment who live in Teresina. Each one with a type of impairment, they share their experiences, challenges and hopes as women who feel the world beyond what their eyes can see.

The last days of the Feitosa family circus. Iracema and her family share their life experiences in a meta-documentary that explores the making of two types of artistic production and their respective crisis: Circo Young and LabCine Collective, responsible for this movie.

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Documentary about the heavy rock scene in Pernambuco.

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Pelé, a retired nurse, revisits his memories as a performer in the Boi Tira-Teima group from Caruaru, Pernambuco. Between longing for the past and the impossibility of celebrating Carnival in the present, he imagines what it would be like to return to Carnival one last time.

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